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- S1H BODY + 24-105MM F4 LENS
S1H BODY + 24-105MM F4 LENS
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Looking to disrupt the digital cinema and film production industry the Panasonic LUMIX S1H Kit DC-S1HMKIT with 24-105mm F4 MACRO O.I.S Lens pushes technical innovation to the limits of what's possible in a full-frame mirrorless camera body.
The Panasonic S1H is the world's first mirrorless interchangeable lens camera that is capable of 6K 24p video recording. S1H offers 10-bit 4K in both UHD (16:9) and DCI (19:10) of up to 50/60p in Hyper Log Gamma (HLG) format and is capable of unlimited* recording in all recording formats thanks to the new built-in silent fan enabling long-form recording of documentaries, events and more.
Full VariCam V-log and V-Log L ensure that the S1H can be matched to both cinema-grade cameras and cameras such as the GH5/GH5s. When using V-Log the rated dynamic range according to Panasonic is an impressive 14+ stops of dynamic range.
A fully articulated screen ensures you can always see what you are recording while exploring different camera angles or presenting in front of camera as a solo content producer.
This kit includes the versatile Panasonic LUMIX S 24-105mm F4 MACRO O.I.S Lens which offers a flexible zoom range, 2:1 close focusing magnification rate and a constant f/4 maximum aperture; ideal for a wide range of photographic opportunities, such as vast landscapes, beautiful flowers and plants and stunning portraits.
The Panasonic LUMIX S 24-105mm F4 MACRO O.I.S Lens also features a 6-stop 5-axis Dual IS optical image stabiliser for sharper handheld shooting and a silent design for video autofocus.
*depending on battery life or external power source.
24MP Full-Frame CMOS Sensor with LPF
Featuring a full-frame 24MP CMOS sensor incorporating a low pass filter the S1H's imaging capabilities have been optimized for high sensitivity, a wide dynamic range, and flexible recording modes. The S1H's processing power helps to suppress noise levels and enables an extended sensitivity range of ISO 50 to 204,800.
Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, Dual IS combines the S1H's 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual IS requires the use of compatible Lumix lenses featuring OIS. This stabilization system can compensate for approximately 6.5 stops of camera shake.
6K / 4K DCI & UHD - Mirrorless Video Recording made cinema-ready
Creating a new entry-point for cinematography the Lumix S1H can deliver true 6K/24p (3:2 aspect ratio) video from its full frame Sensor. Additionally, it is also the world's first mirrorless interchangeable lens camera that can shoot 5.9K 25/30p (16:9 aspect ratio) and 10-bit 50/60p 4K or Cinema 4K (DCI), helping push the technical and creative potential for what's possible in a mirrorless sized camera.
The S1H is capable of non-stop video recording in every recording mode (depending on battery and memory card capacity). Panasonic has worked hard to solve heat dissipation problems that are traditionally associated with small bodied cameras like mirrorless and DSLR cameras.
Long-form content is no longer out of reach due to camera limitations, the S1H is ready for mission-critical filming like corporate videos, documentaries, events, panel discussions and more.
Additionally, recording to an optional external recorder is possible via the HDMI Type A port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
6K [Open Gate] 24p | 10-bit Internal Recording | (HLG 4:2:0 200Mbps H.265)
4K DCI & UHD 25/30p | All Intra 10-bit | (4:2:2 400Mbps H.264)
4K DCI & UHD 50/60p | All Intra 10-bit | (HLG 4:2:0 200Mbps H.265)
V-Log / V-Log L Colour Profiles - post production flexibility
The S1H offers V-Log/V-Gamut to ensure maximum detail and tonal range ensuring your footage captures as much information possible in subjects such as skin tone, high dynamic range scenes and bright outdoors scenes in challenging conditions. Resulting in maximum flexibility when it is time for post-production enabling the ability to push colour-grades further and reducing the chances of unrecoverable 'clipped' highlights.
Designed to fit seamlessly into your existing Panasonic setup, the S1H features both VariCam V-Log and V-Log L, unlike Panasonic's previous mirrorless video-focused cameras you can now match your footage to not only a Lumix GH5 or GH5s, but also high-end cinema-grade cameras from Panasonics respected VariCam range.
14+ Stops Dynamic Range | V-Log & V-Log L profiles with Dual Native ISO: 640/4000
The S1H boast 14+ stops dynamic range when shooting V-Log ensuring a wide spectrum of detail is captured from shadows to highlights in the scene. The Dual Native ISO nature of the sensor in the S1H means you have two different calibrated base ISOs, one at 640 and the other at 4000. This 'trick' ensures that the way the dynamic range is distributed ranging from light to dark stays similar at low and high ISOs, in turn resulting in easier matching of footage shot at different ambient light level and footage that responds the same way when grading or applying LUTs.
Other Video Tools
Video Priority Display inc. DB Gain, Shutter Angle
Full screen Width Waveform | Zebra’s that you can select % range eg. 80% +/- 5%.
New Luminance Spot Meter with value display
Video Frame Markers inc. 2.39:1, 4:5
Anamorphic Desqueeze
Build & Body design
The Panasonic S1H utilizes the L-mount used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics and adapters.
digiDirect L-mount LensesdigiDirect L-mount Adapters
New silent built-in fan enables unlimited recording in all modes while offering the same durable, weather-sealed magnesium-alloy construction and the same level of weather resistance as the Panasonic S1.
Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, and a refined overall UI design for intuitive use.
The fully articulated Vari-Angle Screen + Tilt Hinge makes it easy to explore new camera angles, tilt, shoot from high and low or simply check the framing when presenting in front of the camera as a lone-operator.
Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes.
Vari-Angle Screen + Tilt Hinge.
Dual SD recording inc. Simultaneous internal and external recording.
The S1H uses the same DMW-BLJ31 rechargeable lithium-ion battery as the S1 and S1R.
Red means recording
The S1H features a new Digital Status Display (Black or White) on the top panel which can be used to display either photo or video settings. In another nod to their VariCam range, Panasonic has also included front and rear tally lights on the S1H to show recording status, your subject/talent will be able to easily tell when the camera is rolling.
On the front of the camera, there is also a bottom left record button for side operator access when the S1H is used with a crew or in a hard to reach spot.
New Digital Status Display & Front + Rear Tally Lights.
Bottom Left Record Button for side operator access.
Panasonic LUMIX S 24-105mm F4 MACRO O.I.S
The Panasonic LUMIX S 24-105mm F4 MACRO O.I.S Lens is one of the most flexible and versatile lenses for L-mount cameras, featuring a constant f/4 maximum aperture; ideal for a wide range of photographic opportunities, such as vast landscapes, beautiful flowers and plants and stunning portraits. Covering a versatile wide-angle to short-telephoto range this lens offers outstanding resolution throughout the entire zoom range and expressive potential.
A series of low dispersion and aspherical elements are used to control a variety of aberrations, colour fringing, and distortion in order to realize a high degree of sharpness, clarity, and colour accuracy. Balancing its optical performance, this zoom is also unique due to is 1:2 maximum magnification ratio and 30cm minimum focusing distance to suit working with close-up subjects.
6-stop 5-axis Dual IS Optical Image Stabiliser help to control the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.
Optical Design
Panasonic LUMIX S 24-105mm F4 MACRO O.I.S Lens offers a maximum magnification of 0.5x and a minimum focusing distance of 0.3m, coupled with high-speed and high-precision 0.08-second autofocus featuring a linear motor and 480 fps AF control. Capture active instants with confidence and be ready when 'you just need to get a bit closer' with the half life-size 1:2 magnification ratio and close focus.
16 elements in 13 groups:
2 Aspherical Extra-Low Dispersion lenses
2 Aspherical lenses
1 Ultra Extra-Low Dispersion lens
2 Extra-Low Dispersion lenses
Aspherical (ASPH) Extra-Low Dispersion (ED) lenses help reduce size and weight, achieving high resolution, effectively preventing spherical and distortion aberration.
Extra-Low Dispersion (ED) and Ultra Extra-Low Dispersion (UED) lenses correct chromatic aberration rendering sharp, high-contrast images with clear colours from corner to corner.
A rounded nine-blade aperture diaphragm contributes to a pleasing bokeh quality rendering smooth out of focus areas.
O.I.S. (Optical Image Stabiliser) - Ultra-sharp Photos
Capture scenes carefree or at the spur of the moment. The optical image stabilisation (O.I.S.) technology built directly into the lens minimizes the appearance of camera shake for sharper handheld shooting, and also supports 5-Axis Dual I.S. 2 for increased stabilization performance, ensures your photos will look great.
Rugged Design - More Creative Freedom
Brave the elements in nearly any kind of weather or shooting location. The LUMIX S 24-105mm F4 MACRO O.I.S. lens is dust- and splash-resistant* and designed for use at temperatures as low as -10 °c, and is tough enough to withstand heavy field use. The lens system inside is protected from sand, rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you’ve dreamed of.
Splash, dust, and freezeproof design* benefits working in inclement weather conditions down to -10°c.
AF/MF switch permits quick changing between focusing modes and a zoom lock switch can be used to prevent the lens from extending when not in use.
*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
Video Support - Perfect Video Recording
With video support, the lens performs smooth aperture changes so there are no sudden jumps in exposure, and it also boasts a silent design for enhanced capture of the scene’s audio. With the stunning AF performance of this lens it is well suited for 4K video, where precise focusing is essential.
DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)
DMW-BTC14 Battery Charger
AC Adapter and AC Mains Lead
USB Type-C to USB Type-C Cable
USB Type-C to USB Type-A Cable
Body Cap
Shoulder Strap
Eyecup
Hot Shoe Cover
Flash Sync Socket Cap
Battery Grip Connector Cover
Cable Holder
Panasonic LUMIX S 24-105mm F4 MACRO O.I.S Lens
Front Lens Cap
Rear Lens Cap
Lens Hood
Lens Bag
24MP Full-Frame CMOS Sensor with LPF
Sensor-Shift Image Stabilization
Extended ISO 50-204,800
14+ Stops DR with Varicam Log (VLOG)
Dual Native ISOs in VLOG profile: 640/4000
Up to 6.5 Stop Dual IS
6K [Open Gate] 24P
10-bit Internal Recording
(4:2:0 200Mbs H.265)
5.9K/30p (16:9) Video Recording
4K DCI & UHD 25/30p
All Intra 10-bit
(4:2:2 400Mbps H.264)
4K DCI & UHD 50/60p
All Intra 10-bit
(HLG 4:2:0 200Mbps H.265)
HD VFR 180FPS
(Variable Frame rate without AF/audio)
HD HFR 120FPS (150Mbps H.265)
(High Frame Rate with AF and Audio Recording, playback is in normal speed)
Unlimited Video Recording Time
Weather-Sealed Construction
Panasonic LUMIX S 24-105mm F4 MACRO O.I.S Lens
L-Mount Lens/Full-Frame Format
Aperture Range: f/4 to f/22
One UED Element, Two ED Elements
Four Aspherical Elements
1:2 Magnification, 30cm Minimum Focus
Optical Image Stabiliser
AF/MF Switch, Zoom Lock Switch
Weather-Sealed Construction
Rounded 9-Blade Diaphragm
Recording Functions
- Full Frame 24MP Dual Native ISO Sensor with LPF Extended ISO 50-204,800
- Dual Native ISOs in VLOG profile: 640/4000
- Up to 6.5 Stop Dual IS
- 14+ Stops DR with Varicam Log (VLOG)
- 6K [Open Gate] 24P 10-bit Internal Recording (HLG 4:2:0 200Mbs H.265)
- 4K DCI & UHD 25/30p All Intra 10-bit (4:2:2 400Mbps H.264)
- 4K DCI & UHD 50/60p All Intra 10-bit (HLG 4:2:0 200Mbps H.265)
- HD VFR 180FPS (Variable Frame rate without AF/audio, conformed)
- HD HFR 120FPS (150Mbps H.265) (High Frame Rate with AF and Audio Recording, playback is in normal speed)
Functionality
- Video Priority Display inc. DB Gain, Shutter Angle
- Full screen Width Waveform | Zebra’s that you can select % range eg. 80% +/- 5%.
- New Luminance Spot Meter with value display
- Video Frame Markers inc. 2.39:1, 4:5
- Anamorphic Desqueeze
Build
- Silent Built in Fan offering unlimited recording in all modes while offer same level of Weather Resistance
- Front + Rear Tally Lights
- New Digital Status Display (Black or White) Photo + Video Display
- Bottom Left Record Button for side operator access.
- Vari Angle Screen + Tilt Hinge (Best of both)
- Dual SD recording inc. Simultaneous internal and external recording
Panasonic LUMIX S 24-105mm F4 MACRO O.I.S Lens
Lens Construction | 16 elements in 13 groups
|
---|---|
Mount | L-Mount |
Optical Image Stabiliser | yes |
Focal Length | f=24-105mm |
Aperture Type | 9 diaphragm blades / Circular aperture diaphragm |
Maximum Aperture | F4.0 |
Minimum Aperture | F22 |
Closest Focusing Distance | 0.30m / 0.98ft |
Maximum magnification | Approx. 0.5x |
Diagonal Angle of View | 84°(Wide) - 23°(Tele) |
Dust and Splash Resistant | Yes* |
Recommended Operating Temperature | -10oC to 40oC (14oF to 104oF) |
Filter Size | φ77mm |
Max. Diameter | φ84mm / 3.31inch |
Overall Length | Approx. 118mm / 4.65inch (from the tip of the lens to the base side of the lens mount) |
Weight [g] | Approx. 680g (excluding lens cap, lens rear cap and lens hood) |
Standard Accessories | Lens cap, Lens rear cap, Lens hood, Lens storage bag |
NOTE | *Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water. |
If you wish to purchase in store, to avoid disappointment, please confirm the availability of the product at your local John Barry prior to visiting.
Alternatively, orders placed online by 2pm AEST are typically dispatched same day, if ordered online.
If your product is on backorder, please contact us for an ETA.
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For more information, please visit our Shipping Policy.
Should you have any questions regarding our equipment warranty conditions, please contact us
John Barry reserves the right under Australian Consumer Law to refuse a request for an exchange or refund on all final sale items, if you have misused/mishandled the product, or if you have simply changed your mind. Please visit our Refunds & Returns policy page for further information.