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- Sanken CMS-50 M-S Stereo Shotgun Microphone
Sanken CMS-50 M-S Stereo Shotgun Microphone
The Sanken CMS-50 with M and S component outputs to compose a stereo signal, convienient for pre and post processing.
Super Short Mid Side (M-S) Stereo Professional Shotgun
The unique CMS-50 is a 5.4′′ compact stereo condenser shotgun that weighs only 130g. The mic is especially suited to users that require the versatility and smooth stereo that an M-S design provides. Tight or wide patterns and premium sound, it can be camera mounted without interfering with even a short lens, yet still provide the quality of audio demanded by today’s professionals.
It is an M-S (Mid-Side) configuration which makes it possible to adjust the stereo width from mono to stereo at the mixer or in post production. The shotgun includes two outputs, a cardioid and figure of 8, which can be fed into the mixer for width adjustments. If both outputs are recorded then width can be managed in post.
Like all Sanken shotguns it is rugged and dependable with a wide range of applications where sound clarity and noise rejection are critical requirements.
CMS-50 shown with optional GS-23 shock mount
Decoding M-S Signals from CMS-50
The CMS-50 outputs M and S signals. These can be decoded to Left and Right using the optional MB-2D decoder or can be decoded in the mixing console…
To derive the left and right channel outputs from M-S coincident microphone sources use the following summing and difference:
L ch : Sum of M and S
R ch : Difference between M and S
By connecting the outputs to the mixer as shown, both M and S signals can be decoded as L ch. and R ch. The angle between L and R can also be varied by the adjustment of the S ch. fader volume. When levels of M and S are the same, the stereophonic angle is 127°.
L ch : Sum of M and S
R ch : Difference between M and S
Urethane wind screen
Measurement data
Instruction sheet
Warranty card
Vinyl case
Model Name | CMS-50 |
Transducer | Self – polarised condenser |
Directivity | M: Cardioid, S: Figure-8 |
Frequency response | (60Hz – 20kHz) |
Sensitivity (at 1kHz) | -28dB (40mV) (0dB = 1V/Pa) |
Equivalent noise level (A weighted) | 18dB SPL (A weighted) |
Max SPL (1% THD) | 138dB SPL |
Output impedance( 1kHz ) | 140 ohms |
High pass filter cut off freq. | 60Hz |
Powering | +48V ± 4V Phantom U.P.F |
Current consumption | 4 mA (each channel) |
Weight | 4.6oz (130g) |
Dimensions | 5.4″ (137mm) length |
Surface finish | Matte Black |
Connector | XLR-5-12C(M) equivalent ( 1: GND, 2: M-Hot, 3: M-Cold, 4: S-Hot, 5: S-Cold ) |
POLAR PATTERN
If you wish to purchase in store, to avoid disappointment, please confirm the availability of the product at your local John Barry prior to visiting.
Alternatively, orders placed online by 2pm AEST are typically dispatched same day, if ordered online.
If your product is on backorder, please contact us for an ETA.
Shipping is done via Startrack Express or Australia Post eParcel service and tracking advice will be provided once shipped.
For more information, please visit our Shipping Policy.
Should you have any questions regarding our equipment warranty conditions, please contact us
John Barry reserves the right under Australian Consumer Law to refuse a request for an exchange or refund on all final sale items, if you have misused/mishandled the product, or if you have simply changed your mind. Please visit our Refunds & Returns policy page for further information.